In This World So Blue

Over a week ago now, I wrote and composed another song. The universe threw it in my face so to speak, so I took the initiative and wrote it up. It was another of those late morning moments after, the coffee, the breakfast, and viewing the news had finished for the day. A tune came into my head, from my reminiscing on days gone by, thoughts of a Hank Williams III song, “5 Shots of Whiskey” (from Love Sick, Broke & Driftin') came in. So, I called it up on the computer for another listen. I have heard this song many times, and I like it. In the moments I'd call 'the afters,' you know, during that little space of time where the event has just past, yet our thoughts have a way to linger briefly, hanging on to a fragmented moment, focused on a related thought. I told myself, self, you have not written a drinking song. It happened in a moment while walking into the bathroom to lose some of the coffee. The words “Give me a drink, now this one's five,” came in, having a direct correlation to Hank's song, with the lyric, “Give me five shots of Whiskey...” In the least I can tie this thought to having just listened to those words, and the genre similar to the thoughts of melody, my head is also set in one of those slow sad-sap country beats, but that was as far as that similarity goes. By the time I had made my way back to my desk several lines of rhyme in this theme had transformed into some substance making sense in its way. Now in a second look, the subject is also similar to Hank's, man, telling the story, the subject of the story, a women, and love lost. Put it together and it caused heart ache. I did have to sort of work at these words, though it came pretty quickly. It came out nearly as spontaneously as growing hair, well faster than that by a lot.

This song is different from any that I've done previously in how it has a tag line at the end of each verse. That is a method I have never used before. When I wrote it, I thought it a rather powerful technique to use. And it works really well at holding the song together, so well that it can be doubled or tripled up (if so desired) and works giving elasticity to the lyric until I finally determine what this songs finish product will look like.

So the story line is of, I'll say a guy, likely because I am, and since I sing the song, it only makes sense for the character to be a guy. The guy is at the bar, probably a bar fly type that often drinks at the bars, it is familiar territory, and this person feels comfortable barking out orders to the bar-keep. “Give me a drink, now this is five, and I think that this'll help me stay alive,” is the opening lines in the lyric. Then he goes on thinking aloud about how down he is and how long it has been this way. As I said it's sad-sap lyrics. The verse ends with the tag line, “I'll come around, look what I've found, in this world so blue.” The second verse begins similar to the first, the guy barking out another order to the bar-keep, though using simple addition, this time the drink is number six, and it rhymes with tricks, so it works. I can't give it all away right now! Anyhow, this verse goes on by adding to the details of being down compounded by being drunk while longing for that now 'lost' lover, and how feeling this way is habitual for this individual, and again, the verse ends with the tag line.

The chorus deals in its subject with how the two had become friends that eventually led to being lovers. Its description is brief with some imagery of cars under the stars, and that it is this magnetism that creates the fond memory and its melancholy.

The last verse goes toward the imagined conversation between this person and the bar-keep, because of the potentials of driving while intoxicated. The guy tells him that he won't drive very far if he goes, just a couple of blocks at best. But the drunkenness takes the thought back to the desire for the drinks and the hope that the woman will return. Then again the tag, followed by another chorus.

In the week since writing the lyrics composing and recording a rough draft of the tune, I've played it several times becoming familiar with its cadence and putting the lyric in my brain (the real hard part of the process). In the times going through this song I have decided that chunks of lyric though written correctly were out of sequence. By moving a few blocks of text to different positions in the lyrical progression, I improved the over all image that these lyrics seem to want. I may not be finished with changing the songs details. The details in imagery are what evokes thought in the audience, that is my goal sometimes as a song writer. This is not so much the case in this particular song, because it is another silly sad-sap song. I do think that recognizing the potential of this particular technique, using a tag line is pretty significant in the evolution of writing lyrics as a craft. This kind of song writing is pretty much outside of my normal folk tune, by quite a lot, and that is okay with me.

This song can now be listened to at the website if you choose In This World So Blue. It is sort-of a country blues piece.

Awaken, another new song!

The birth of another new musical tune, and song came my way again today. As the days in living progress these songs and their lyric, inspired by the universe, I'd say due to having no other form to pin the inspiration upon, seem to form into units containing what I consider as having higher quality in its overall result. The reason for this is likely the experience gained over the years, creating my own songs in my method or it might be chance? What ever allows it, this brings to bare a sense of personal satisfaction.

For the sake of this writing and the theme of the blog, the trigger for writing, if known, should be stated. Quite like the previous posting about the song Bomb Train, this was also influenced and triggered in watching Democracy Now. Thank you Amy Goodman! I truly think this is more a general circumstance than anything other. Yet the same kind of scenario that brought out Bomb Train, occurred again this morning. I know I have been harboring the will to write this song and its general content for some time now, without actually having taken any steps to bring it into being prior. I guess this actual subject had not been clear in my mind before the words began forming upon my typing them into the word processor.

This lyric came in the form of what is the first line of the song, “Wake up, we can awaken today.” With it came a piece of what is now a melodic shape, though brief and truncated from its now complete form. The general theme is the state of humanity and the racial injustice and inequality that is so pervasive both here in the United States of America and in most locations where there are separate cultures, races and belief systems in contact, one with the other(s). I consider this representation in the human condition one that will one day fall into the past. As humans, the struggles that groups create, based in their own fears, and their own prejudices, serves to retard our potential to be better both as individuals and as groups having commonalities in sharing our home planet. It is sad really.

So I wrote two lines out in the computer, then having that melody forming internally, I grabbed a guitar, quickly finding the key and shape of it in a rhythmic form, set in a 3/4 time, and sang those lines, I then repeated the process to attempt capturing its entire essence. Succeeding at that, I shifted back to the computer and wrote another few lines, using a similar form as in the first line. That is with an opening two word statement, followed by an expansion on that statement, or a further clarification on what the statement represents. I completed 4 lines using that form. For the following verse, I chose to alter that theme a slight bit, reducing the introductory statement to that of a single word. Again I repeated this shape, writing 4 lines with this form.

I then got an idea of breaking from a traditional song shape or form. Most generally, folk type songs follow a pattern similar to: verse, verse, chorus, verse, chorus... I wanted to attempt something different as a form of musical structure for this song. Having now constructed to verses of a consistent meter, the next set in verse would take on a differing meter, slight though distinctly altered. The metered lines in this part are unlike that in the first two verses. The single and or double word introduction to the line was dropped, allowing the lines to be broken in two segments, having two measures each or being that of a single line taking on the entire four measures. When it had taken form in the digital space before me, I again switched to the guitar and fooled with a form that would complement the original, while bringing it out in the 3. rather than the 1. Thus as the key for the original verses is a G Minor, this second stanza is in a C. Having a simple understanding of music theory, I can barely understand that this song is in a minor key, but only because of the use of an A minor, and the E minor, in the progression. I finished fitting out the chord structure in this second part, then returned to the computer keyboard to write out more content.

Again with the thought of breaking with tradition, the following section I decided would take on another musical shape and meter. This part is set in E minor. Another set of four lines formed up. They are somewhat representative of the second shape or second part of the song in that the original structure, of an introducing word, or two, followed by a complementing element was dropped entirely. These lines are also split in the middle, having a duration of two measures, followed by a second part having two more measures to make up a line. An exception is the fourth line carries the entire four measures, and is a summarizing statement Similar phrasing is also done with single phrasings that carry through the entire 4 measures.

With this much complete, I considered that the song's lyric was finished in that it said all I wished to express. None the less it was rather brief in total duration, having played and sung it along the course of its construction. So if naming the four verse like pieces of this song with each containing four lines, the first and second sets are the first part. The third set is the second part and the fourth set is the third part. I concluded a way to bring more length to the song would be repeating the entire four sets of lines but in a different order. Having reached the end of the writing or the fourth section (third part), it is followed by a repeat of both the third and fourth sections (second and third parts). This is then followed by what would be a break where the melody returns to that of the beginning of the song. The break is short in duration and is followed by a repeat of the first two sections (first part, a1 and a2) of lyric, with which a conclusion is reached with the repeat of the last line.

I successfully recorded a rough version of the song, a method of preservation because my aging brain has a way of loosing these ideas while they are young, where as not recording them leads to a differing kind of struggle. One that is hopeful of somehow recapturing that which was.

 *************Edit***************

I have added a new fully redone recording of this song, ''Awaken,''  April 1, 2020 http://thomasepeterson.com from at thomasepeterson.com

Bomb Train

Yesterday morning, early in my day as I started my normal routine (if in fact I have one), I began watching Democracy Now on the computer. Amy was going through the details of the daily headlines, the story was about another oil train exploding, this time in Mount Carbon, West Virginia. The programming showed the video a fireball raising upward into a cloud covered snowy sky and an observer obviously frightened by the intensity of the explosion. Seeing this triggered recent thoughts of this very subject as the theme of a song. I have been carrying around the idea since last summer, yet until today it remained solely as an idea. By chance, the previous night I had watched an episode of the early 1960's television show ''Rawhide'', who's musical theme seemingly remaining in the forefront of my consciousness, obvious to me now, came to mind. Those words, ''rollin, rollin rollin,'' popped into thought, in its musical form. The words can logically describe the movement of a train, and the musical theme in that very brief stanza in music formed solidly immediately followed by a differing stanza retaining that rhythm, yet entirely original. A phrase of ascending notes, followed a similar phrase of descending notes. This event happened in a time span of seconds and I immediately realized this could be the song. I grabbed the computer mouse, pausing the news video in play, followed by the opening of a word processor and began to write. ''Rollin', rollin', rollin', when the bomb trains come rollin, on into your town...” and continued, words quickly coming into place, telling a new imaginary story about the observance of an oil train passing by, the observer stopped behind a blocking railroad crossing gate, awaiting the train's passage. A poetic description of how it could be to be forced from the intended path by a railroad crossing gate and the train rolling by directly behind it. I think on that scene now, although imaginary, I painted it up pretty well, the hearing of the train horn, the wheels striking the joints in the steel track causing that distinct sound and waiting there in a state of limbo or in a position of being on hold. From there the story goes on tho the threat these oil trains pose in real life, to anyone who might happen to be near one of these exploding bomb trains, in which the story line concludes that the train will explode when it reaches ''downtown.'' I stopped somewhere after writing out the first half of the verse, 4 lines of rhyme, to grab a guitar to compose this music that was now rather clear in my minds eye.

The music created is in the key of E minor, in 2/4 time, in a fast moving tempo of 194 BPM. It begins quite like the theme of ''Rawhide,'' only long enough to get through those three words, creating a brief illusion that will bring up memories to the listener of that theme song, but then with a brief walk-down conclusion of that stanza, the ascending phrase takes hold, altering this illusion of known, into what will be unknown to the listener. I decided to make the first half of the verse, those four lines, in the key of E minor, then the following second half of the verse being different, in the key of A minor. This half concludes resolving back to a similar resolution as the first half, that is a B7th which follows a F# , making a somewhat apprehensive shape in its musical presentation.

Having now at least somewhat formed the complete musical theme, I put the guitar back down and went back to the keyboard, writing out more lyrics. I went back again to the introductory stanza, rollin', rollin', rollin', adding a complementary phrase, bomb train to it, as though it were a following tag, then went on to another verse. Along the course of the process, I went back and forth between writing and review while playing guitar and singing these new lyrics. The purpose being that of integrating the music into my memory while analyzing the lyric for meter and rhyme. Along the course in process, I became stumped to rhyme a particular line closing word that seemed important enough to retain rather than replace. I did something new to me, I used a search engine asking it for a rhyme to this word. To my surprise I found website, new to me rhymes.net, which provided a solving of the word in wanting. Later in the process, I came to another desire for finding rhyme and tried the website again without having a successful conclusion. I was however able to find a rhyme after some thought, and on I went.

With the concluding verses of the song I had the desire to make this work hold some historical significance. Having no actual factual information on hand, I did another web search finding several instances in fact, of locations where oil trains have exploded in recent history. There are surprisingly and sadly, too many to choose from. I found several names of communities, cities or towns, wrote them down, along with the human death count from a specific location and disaster. I incorporated these names and figures into the lyric, giving the song historical reference.

I concluded the song as I started it, back to that opening theme, including the complementary, ''bomb train'' phrase, again followed by those ascending/descending stanzas. In the end, I practiced playing and singing the song for a long time, then made a rough recording to hold the song. My memory is really getting leaky.

**An edit addendum**

I have added a refined recording of this song and video, mp3 page of my website: www.thomasepeterson.com

Time Slides On By

As I come back to this space with the intent of carrying on or at least putting out a few words toward that end, I realize that it has been 9 months + without writing to this. Where does the time go? It has been a busy time, these past 5 months, doing things for the most part that exclude music. Yet I so desire to be delving into music rather than walking life without it as an every day constant part of being. This sounds drier than its reality. I have had the time to stay with music although not as much as I would like. Performing has only played a small part in this time period but I have had a few gigs. I have also had or otherwise made time for practice and a lot of it. 

This leads back to thoughts contained in the previous post, "Memorizing it." I have done a rather thorough job of memorizing the new material that I spoke of in that post, and I have added new items to the song list along the way. I was able to compose another very good song this past spring. But as to memorizing it, I may not have learned a lot about the process other than driving it home through repetition and being mindful that it was done correctly while practicing. I learned long ago that to have it down actually means that you can play it three times in a row without error. I am not quite there with all of the newer songs, nor the old ones come to think of it. Maybe I am not that good, maybe I just need to spend more effort on the process. Then again I am back to playing alone rather than with others, since my old partner moved to a location 10 hours drive away, which means that perfection has less criticality in the immediacy. If I slack off though, I know it will bite me in the long run when I again find others to play and perform with.

The busy time of recent months is nearing completion thankfully. I shall again be free to do music daily. There is a lot of copyright work to finish up, including recordings. With some brush up, I will be able to turn on the studio and make the recordings without too much editing, or so I think. Right now, sitting here it seems I have become proficient enough at these songs to just play them accurately. That does only suggest my will rather than a reflection of reality. I may not find the chops when that day arrives. It is a nice thought in the least.

I have made some progress in finding a way to get myself heard since my last writing also. Well that is a hope in the least, time will prove out what is real. I found someone to be my manager. I am not worth a hoot at promotion and really don't care about that side of music. Still I realize the importance of promotion, and I have the understanding that with my own lack of understanding or insight into that part, I need someone to take on that part of the journey for me. Thus far, I am likely not ready to get out there due to copyright issues still hanging and the fact that I am doing something else all time consuming right now. Yet in a couple of weeks I will be free of that unwanted burden that has been eating up my life in recent months. I'll be able to return my focus entirely toward my music and all that it entails. I am anxious to reach this coming fork in life's road. It is exciting to me.

Memorizing it

It has been a while since writing anything in here. Today is one lacking an expression based in the creative process. I have not seen the muse come to me in a number of weeks. Instead I want to address the issue of assimilating newly created material. In preparation of an upcoming gig, I have been in the throws of committing new songs to memory, for the intent of presenting it to the public. Throughout my musical history I have never realized the difficulty that this process can exhibit. There could be multiple reasons as to this situation's difficulty, although having previously failed to consider this issue with any focused attention, I am only now seemingly confronted with it.

This year the creative process has allowed me to fully write and compose 10 new songs as well as completing the musical composition of another. Having a desire to incorporate this new material into my song list is what brings me to this situation. In clarification, my desire to commit this material to memory means exactly that, developing the skill to competently present this without the aid of printed information.

The first part of the solution is having a solid structure for a song. Having been a solo artist for so many years presents me with a lack of discipline with a songs structure. Doing it alone has always allowed me the luxury of being flexible with song structure. This past couple of years playing and performing with other persons has shown me the fault of this relaxed way which allows the slippage of a perfectly structured song. Singing harmony allows little room for the structure to have flex. It really needs to be consistent, and thus I realize now that there is significant importance in being consistent with every song's structure.

Once the structure of a song is ground out into the desired written form, the repetitive work begins. I compare it, in a way, to preparation for a school test, or maybe a final exam. I think it is different also, in that presenting songs well, can have no error, where as, forming a wrong answer on an exam may not create a failing grade. I have thoughts about what will work, but I know nothing about the process scientifically as to the process of learning. In the past when learning covered songs, I would listen to the song enough to gain a will to learn it first thing, then it was for the most part a process of repetition in playing/singing repeatedly. Somehow with my own new songs, having no recording to listen to, prevents in the very least the listening method. I may need to experiment with that, record the song in the structurally correct form, then listen to it. My problem is in the lyric for the most part. The guitar playing generally falls in place with rapidity, where as the lyric does not.

Another thing I might wish to consider is the number of songs I am trying to memorize. I have never before had so many new at one time with the need to assimilate. This fact alone might be what is causing my near sense of alarm and wonder about age related issues, questioning if there is potential for this to play a roll.

Yet another wonderment is that of cadence, and the simplicity of the rhyme scheme. These two factors being unique with each song, both contribute their part to the question of learning. Sometimes the word structures I write are very simple, where as other songs are much more complex. Some words flow off the tongue with greater ease than others also. These factors might also play a large roll in the memorization of songs.

What ever the reason, it is time to get back to the process of practice. Maybe today shall show more progress.

The First of Yesterdays Two with Two, to

Last night I left off with having written two songs in the day but having failed to talk of them, so here goes the first of yesterdays two songs.

It was morning in my house, there was a chill in the late summer air, coffee and breakfast were both done while watching the daily version of Democracy Now.  It seems always to be bad news, sigh, why watch?  I know why I watch, wanting to know as fuel for writing songs and other less useful things.  I'd been playing the piano the previous night, listening to Uriah Heep and wanting to learn, so I went to put stuff back in place (storage you might understand).  In doing so I was reminded of an old Bob Dylan song, Hard Rain which made a desire to play the song on my guitar.  One of those songs I sort of know but never had the inspiration to learn.  No lyrics caused a search for them then a copy for use.  I had to play a recording of it in order to determine the key, which is dependent on the version, anyhow, I ended up singing and playing the song maybe three times.  Once was not enough to drive into my consciousness, the entire meaning of that song, nor was it enough to grasp the phrasing cadence in the lyric.  Upon conclusion of that process, I went in the kitchen for something, when a phrase entered my mind, the blue eyed boy...  , from Dylan's lyric, "my blue eyed son."  I recalled the date of the album it was recorded on, Highway 61 Revisited, 1963.  It seems amazing how long ago, at least to me it does.   The lyric of that song are so powerful, as the story progresses.  It is seemingly about: the depths of thought, in talking of where he had been. Violence and threat, is what he saw.  Fear and being lost and or alone, in what I heard.  Fear and contrast in what I met.  The last verse might sum it up as searching for equality, pointing out how revolting it is.  This is at least some of what comes up for me when I go through those lyrics, though if Dylan had a known meaning, he isn't telling me of it!

The end result being this thought of time and how much at least to me, in the moment, the song screamed of inequality. My thoughts went on to watching some of the Newport festival recording of early Dylan, then there was the recent reunion and anniversary of The March on Washington for Jobs and Justice, 50 years later. Better known as the March on Washington, Bob Dylan Played a few songs there that day, though not Hard Rain. None the less, the date of the album , the march there that day and its significance it all reminded me that the big fight was raging back then and is still not resolved, but Dylan was singing about injustice back then, yet still it is a problem of society.

I wrote some words that are both pointed as to lynching, its horror, the fact that this subject was even louder in the public consciousness back then as compared to now although the problems of inequality remain rampant in this country,  The whole of it all causes one to wish to hide in a bottle of whiskey because little if anything seems to touch that condition.

The music is a very fast 3/4 time, simple three chords, a 1, 4, 5 sort of thing.

There remains some energy for the second song of yesterday.  This one started swarming up while on a walk down to my mail box, down on that gravel road below my house.  Like songs this one seemed to come out of nowhere.  I have been trying to meditate some in recent days, something I have not done consistently for a few years.  That and I have been attempting to remain conscious of my thoughts, being mindful of my actions and sort of disciplining my brain to better concentrate for playing music.  Thus the thought of looking past one's memory without dwelling on/in the past, as a contemplation came to mind, then time fades away, as time fades away, but choosing to avoid sounding like Neil the cadence must be far from anything he did.  That led to other thoughts that flew out of my head through an invisible hole, as I walked back up my driveway with a wad of junkmail in one hand, picking up pine-cones with the other to add to the collection for winters wood fire starting.  By the time I arrived back at my computer many of the good phrases I had come up with while walking had dwindled into the universe, unknown, forgotten.  But I got to the computer where I typed out what turns out to be the chorus of the song, I think.  That was followed by three verses, four lines each, which had a different pace and cadence than that which I stated as being the chorus. 

In the moment there was a coming disruption that was eminent although the timing was not certain.  My music partner was said to be on the road driving toward here for practicing.  With this in mind, I looked at what was there, momentarily I thought this song, with its structure and organization could easily be continued, lengthened.  But with time running out, I wanted to at least grab the inspiration of the moment, hopeful that the momentum would provide something fresh and new I grabbed up my guitar, very quickly followed by a musical theme which I found pleasing.  I also realized that this set of lyrics with its obvious two parts needed to be segregated, which lead with ease into a B part.  In the end I switched it around, with the initial part I thought up being the B part with its subsequent second part being renamed the A part.  I sang the song roughly a time, then in recalling my actual time issue, decided to make a quick rough draft recording to capture its escence.  It was rough, but I got a copy made.  I had to name the files, both the text and the audio something, so I gave it the name 88, and typed that into the save as box for both files.  I had succeeded in getting this completed before my guest had arrived, much to my surprise. 

After practice had completed, there was much to do, dinner, and domestic nonsense.  During dinner I watched the end of a film I had begun watching the previous night, which led me to the idea of getting back to blogging since I had written so many songs and compositions in these last few days.  I was ripe for writing, when I started, but by then it was as it is again now, rather late in my day, which fatigue controlled by disallowing my completion of what I am now attempting. 

Dateline, now or actually not now, earlier in the night before what is now, in reality morning, being after midnight, again!  Back in the evening of this period of being awake, lets call it that, I found the time to sit down and attempt something that I have found in the past to be nearly impossible.  That is, reentering the space of an incomplete song and creating an addition to it which retains the previously written essence, feel or what ever that is.  I must now say that I had an unusual success in this particular case.  The song is mostly complete now.  It is again nearly a ballad, yet it ends too abruptly to actually be a ballad.  It doesn't actually tell a whole story as a ballad does, this one leaves the contemplation of what happens to the observer.  It ends by making the story a continuous loop, if the observer wishes to understand the story that way.  The story ends as a succession back to where it started.  The structure is what is not settled.  As it is now written the song is introduced in the chorus, leading to the first two verses, another chorus, two more verses another chorus, followed by the last verse which introduces the loop.  The song is concluded by another chorus, which is in total 4 lines, where as I repeated the last two lines in the ending.  After completing, I renamed the computer files for this song, from "88." to, "Meanings in Rhyme."  I followed that up by making a new rough draft recording, incorporating the changes arrived upon this evening. 

I've never had a song come together like this.  Generally if they get interrupted during the major construction phase of writing, the piece is never concluded.  This one is different.  I was able to step back into that state of mind well enough to retain the songs essence and even the surprise ending, which was not planned.  It is a fact though, I don't plan what I write in song, it just comes and I grab it as though right out of the sky.  Creativity is awesome!

I'm trying to make up some video recordings of me performing songs in a very controlled setting, alone, in a place where there is little chance of interruption.  I have succeeded at getting 10 songs captured.  I am still needing some filler video to complement the production which is meant to enhance the songs story line.  Which leads me to another thought, of what the heck are all these songs that I write actually about.  In times to come, if I continue playing and playing out (a desire) I need to define what these songs are in order to share them with an audience.  Yet when I look at some of them, their lyrics and the poetry contained, some is very vague and mysterious in word, rather deliberately covert or otherwise riddle like. 

Well peace and this concludes two in a row! 

Catching Up From Summer

Large chunks of time pass without reaching out to blog.  I'm not so sure I understand why I don't write here.  I have been very active in writing music this summer.  First, there was a tune back on May 28. called 'The Trip Will End."  It is life, summer evenings/nights, around a campfire, enjoying life under the stars, this entirety is known to end with death, so the trip will end, it is as simple as that.  I enjoy the song, it is quick in tempo, in a 4/4 time. I really am having a hard time trying to write about, without revealing lyrics and/or giving up a recorded audio file.  The intent is to write of the process of creating songs/music.  I guess it doesn't actually require a demonstration of audio to be effective. 

The earlier part of summer didn't provide any new ideas or creations.  It was August 5, that I wrote the next song.  Now this was a very unusual experience, for it began with the full intension of writing a letter to a friend.  So I wrote my friends name, followed by a coma, after the new line, I started writing what was in actuality poetry of a rather pure form.  This was very unexpected and purely spontaneous.  This song has a sort of story line, more fairy tale and certainly fiction.  I really grasp at, still, the ways that the lyrics of songs come upon me, having no actual idea of how it is that lyrics come to me out of thin air.  Like this song, "Cows and Birds" being about neither cows or birds, but having their subjects named is a just reason to include the words in the title, right?  It is a fun to play song, I think because the lyrics flow along so easily.  I have written songs that at times seem like a tongue twister to get out of my mouth.  This one, despite having rapidity in delivery, still flows easily and even better seems easier to remember than a lot of my songs.  Now in this email to my friend, after concluding the actual lyrics of this song, I did a copy / pasted into a new document, then proceeded to block out the song lyric as a separate item but leaving it in place for my friend to read.  I went on and wrote him a rather long note, explaining the passage of time in writing him this email that turned into the lyric of a song, and then I went on and recorded a rough draft of the song in an mp3 format, sending it along to this friend.  Now this person I met while serving military service in the Marine Corps.  We were both jet engine mechanics working on fighter jets of the day, F4 phantom.  We became friends because of music, well that and the times I guess, being in contact at the work place must have had a lot to do with it also.  The crux of the significance to this is that we began doing music together back then, I composed one of his lyrics sets back then.  I recorded it a few years ago, posted it on my web site where it resides in this place where you found this.  Running With Angels This is not the first time I have written in rhyme while writing to  friends, though the first song, for me.  I am not editing so I do imagine this is a convoluted paragraph.  Back to Cows and Birds, it is nonsense disguise as a story, though the story is vague enough to consider it verse.  I know not how to describe songs.

August provided a second song, on the 22nd called, "Gone Crazy," a rather political piece, although actually its focus is truly on a perception of the world of humanity and its overall effect.  It is powerful as seen from my point of view, because I believe that as a structured group of humans, I think gone crazy as an apt description of what's happening.  Now although I personally have halted the use of broadcast television from any source, I remain aware of the influence it puts on the collective understanding of many sections of human activity, mostly as it relates to the expenditure of money, but also through the propaganda of those news outlets, feeding infommercial, hype-crap, unworthy of my participation.  Though being aware of this condition, I wrote about how we (the collective) sit back and do nothing about what our government does, and what it allows corporations to do which flies in the face of both logic and even civility in many instances.  Honestly it is sad to note, and will bring us all the blues eventually. This tune I placed in a blues theme, B minor is the key and it is far from being a twelve bar blues.  The cadence combined with the tempo are blues, plain and simple.  The idea erupted right immediately after the conclusion of watching Democracy Now @democracynow.org.  As always the news can seem such crazy stuff.  I have no actual recollection of the subjects covered during that showing.  It did leave me disturbed, as it so often does.

Now it is mid September, nearing the autumnal equinox, again, (eek), and more songs come.  This week brought four songs, starting Saturday, well technically last week, but...  It was another occasion of unintended writing, as sometimes happens.  Busy doing something when a thought, a line of verse simply materializes inside my mind, without any consciously understood trigger.  First one line, then another, which these days quickly leads me to this keyboard, where I open a document and type out the words for the sake of preservation.  At this point I usually have no idea which direction the words will take me,  The first two lines during a beginning can be moved to the middle, to the end, to the chorus, or anywhere else.  Trying to remember the what and the why of an event last Saturday seems difficult in this moment.  The song I titled "Back Porch Gatherings." It is another complete fiction, story like, though not actually a ballad.  The words talk of thunder storms, watching them and talking nonsense.  This song has 3 and a half verses, that I repeat fully.  I guess the chord progression of this song is quite unusual having three semi-unique sections.  The sections are each a patterned progression of four chords that repeat.  The following section, these patterns are then transposed down four steps.  This second section is followed by a third section that is up one step above the previous, where it then concludes by walking back up to the origin.  I do like the beat of this, again a quick 4/4 time in the key of D.  Oh I wish I understood theory well enough to accurately describe this progression, but I don't and so I can't do it justice other than to say it is unusual and catchy to my ear.  Now my music partner told me today that it is a difficult song for him to play, yet I seem to find ease in it.

Sunday brought another song, though for this song only the musical composition was formed.  The lyrics I wrote April 28, although at that time, the lyrics had no accompanying music.  On the morning I completed this composition, I had a plan to practice, although, in opening the folder containing song lyrics, I noticed the title 1-river, which I actually had no recollection of. The prefix of the numeral 1 I use for keeping that particular file at or toward the top of the file tree, so there it was, glaring at me as I opened the file manager program for viewing the list of file names, all being song lyrics.  I decided to look at the file to recall its contents.  Four full verses were written, well structured for the most part, although I did do some minor editing, then rather suddenly a melody came to mind, I grabbed my guitar and in seconds I had this new idea fully formed.  This one I finger pick, an unusual technique for me personally.  I have only in the past 3 years began to use a finger picking method due to my previous inability to coordinate my right hand well enough to create the desired effect.  Many times over the years I attempted to finger pick but I simply could not master it, something about separating nerve impulses to opposing fingers doing differing things.  That combined with my sense of pitch and physical direction (up or down the neck).  Finally just a couple three years ago, I learned a pattern from a friend, and after much persistent practice I was able to do that one pattern though with difficulty.  Even today I played that original patten and I still find it difficult.  Regardless, back to the subject the song formerly named 1-river, upon completion I renamed to, "River Song."  I am now able to finger pick some, using patterns of my creation, which I did.  It is a simpler pattern than the original finger picking pattern I learned.  I think the song turned out to be quite a beauty.  The melody flows, as rivers do.  What more could one ask for.

Now as for the two songs I wrote this morning, I am going to have to write of them at another time, if in fact I can remember to do it.  It is now, as Peter Rowan wrote, "it is tired, and I'm getting late."  I simply must go off to the flat lands where dreams can happen, rejuvenate and get on with the next day when I live it, as I live it.